Hidden Spaces

Part One — Hid­den Bars, Cafes, Restaurants

This first focus is on Berlin’s attrac­tion to hid­den spaces writ­ten in two parts.

I am so fas­ci­nated with the whole hin­ter­hof (back court­yard) phe­nom­e­non in the archi­tec­ture here.  Some court­yards seem to keep expand­ing three or four times open­ing and nar­row­ing around you and then some­times lead­ing one out onto another strasse.  Buried in the hin­ter­hofs, are café’s (another piece will be com­pletely ded­i­cated to cafe cul­ture) stores, and art gal­leries among other com­mer­cial spaces that given the loca­tion have a pri­vate feel.  How­ever, there are more often than not res­i­dences in the hinterhofs.

And this hid­den space extends to bars — café’s (need to note that there is not much dif­fer­ence between bars and café’s here unless it is a kneipe which is kind of a local pub oth­er­wise the bar-café lines blur and peo­ple are drink­ing either at all times of day and evening.) and restau­rants.  There is a bar in Pren­zlauer Berg – the 5-Z (actual name is 5 Ziegen but every­one calls it by the short­ened name) and for ages — I have been told — they leave the front win­dow in a way that looks like an empty vacant space com­plete with an aban­doned over­turned table, pushed over chairs and some garbage.  The front is kept dark.  But if you know, you push open the door any­way, head through the front dark room, through yet another dark room and finally see there is a bar here after all.  (In this case, some­thing like a pirate’s den).

And another exam­ple is the Paloma Bar in Kreuzberg.  It is in a con­verted den­tist office from what I could find out.  From the out­side the build­ing looks unat­trac­tive — white, 70’s era archi­tec­ture, vaguely looks like a space ship and appears com­pletely vacant.  In fact the ground floor, store­front is indeed vacant.  My friend had been to this bar before and insisted against my dis­agree­ment — ’ I think if we just go inside to the sec­ond floor’ .  But soon she doubted her­self  when we got to the sec­ond floor and it looked totally empty and no sounds — no voices, no music.  A door to the left had a white frame and a long rec­tan­gle win­dow that was cov­ered on the inside by a black cur­tain or sheet.  No sig­nage of any kind.  My friend just walked up and turned the knob  — with a slight stick of the door we sud­denly stum­bled in to a cozy place with nice ambi­ent light and a funny 1950’s kitschy decor– cool music play­ing fairly loudly (very sound proof space).  We got a drink and within an hour or so the place was packed to the point where we couldn’t move.

The more sub­tle expres­sions of hid­den or per­haps just com­ing from a laid-back atti­tude are the many cafes that don’t have names.  At least no sig­nage.  And even menus — I’m think­ing of a cer­tain place where the menus are inside of old book cov­ers and each page dec­o­rated with col­lages  — where the name of the place can’t seem to be found. More atten­tion to the cut-outs than to the name.  I like this some­how.  Any­way, my friends and I laugh about it all the time.  When we make plans no one knows the name of any­thing and there are so many cafes, one after another down each side of the street.

I haven’t had so much expe­ri­ence with hid­den restau­rants.  How­ever, there is a great arti­cle on the sub­ject in the New York Times that I rec­om­mend reading.

http://travel.nytimes.com/2009/06/14/travel/14headsup.html

In my encoun­ters with hid­den spaces I have never been dis­ap­pointed. The unusual qual­ity of the space — find­ing it, inter­act­ing with it has cre­ated very dis­tinct mem­o­ries of these places.

Check back for photos!!

Part Two will be devoted to art-related hid­den spaces and in par­tic­u­lar look­ing at tem­po­rary shows using tem­po­rary spaces.

Alas, I need to get pho­tos of the places I men­tioned above.  Til then here are a few from a per­for­mance the other night 10/20/09.  It took place at an unnamed loca­tion mak­ing use of a space in the process of ren­o­va­tion. This seems to be fairly com­mon for tem­po­rary spaces.   The line-up was the Matt Zivich Trio com­prised of Matt Zivich and Jeremy Los (Chicago), and Sonic Youth’s drum­mer, Steve Shel­ley (!) + Sonic Youth played the fol­low­ing night 10/21/09 at Colum­bia Halle.  Also play­ing were Tall Sirs and Nathan Baker (for­merly Chicago, now Berlin).  These last two joined in with the trio at the end.  Great show.
Notice the con­struc­tion (con­struc­tion photo), raw space and stage,  and again here a pile of bro­ken cement com­ing from stage left.

construction

music performance

stage left

Leave a Reply